Xdcam Hd 422 Codec Download Premiere Cs6

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Hello dvinfo! This is my first post.I must say that this seems like a place to stay to learn more about all the technical aspects of editing.I'm a young editor, who has mostly edited Canon DSLR footage. Right now I'm the editor on a project shot on Sony's F3 camera. We have about 155 GB footage and sound. And the short film is going to be between 15 and 20 minutes. I'll be editing on a Windows 7 64bit system in Premiere Pro CS6. It is a fairly strong computer, with maximum ram and two high end nVidia cards.

I've already spoken with some of the people at the company of whom we are borrowing the computer. But it is hard to get a clear and confident answer on how I should create the workflow for this film, as this is a new format that I have never worked with before.Here is the file data from Mediainfo:My initial plan is to start synchronizing each scene in its own sequence in Premiere. But then I am in doubt if I will be able to edit natively, or if I should export to something, or if I should make an online/offline workflow. I don't know much about formats, codecs or workflows yet.I'm very eager to learn about it, but it is a jungle to me, and too often do I get different advice from different people, and some times from the same people.ThanksAnders. Hi Anders and welcome to DV Info Net.I concur with Ryan; my editing box is now over two years old and I routinely do long-form multicam edits of 3-5 streams of HD footage, mostly Canon MXF files at 50Mb/sec, plus separate audio tracks. No problem.You'll want to make sure GPU acceleration is enabled on your primary nVidia card, locate your source files on a fast RAID array, and go to the preferences dialog and point all the temp/preview files to another separate, fast drive besides your C drive. You'll be in good shape.Putting each scene into its own sequence is actually a good work flow.

Nesting sequences induces practically no additional workload on your computer; it is just a matter of how many video streams and how many non-GPU accelerated effects are actually processing at a given time. You can duplicate sequences and rename them where it makes sense, rather than starting from scratch with the 'New Sequence.'

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Dialog box and its settings, to reduce set up time. Hi, you will love editing XDCAM footage in Premiere from the F3. It is a breeze and some filters to clips can even play in real-time without rendering.A good output codec I've had great results with is H.264 and you can use a preset such as Apple 720 or 1080 TV to set your output resolution and then your frame rate can be changed to suit your project. You can also set your target bitrate; either constant bit rate (CBR) or variable bit rate.As for multi-cams, CS5 had a limit of 4 cameras max. I haven't tried it in my CS6 yet but its great if you can sync your camera angles then select between cameras.Anyway best of luck, sounds like you're all set! Doesn't sound normal.

I'm only using Q8400 Intel quad chip which isn't even i-series, with 4GB ram and I have 10 channels of video, some with nested sequences, with a 5 minute timeline, and effects, and it doesn't chug too badly.I would do a test and move those files in your edit sequence to your local C: drive, then re-open your project file and re-link the clips from your edit to the files now located on C:, then see how it is performing. This will eliminate the issue being caused by your array.

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We have recently released new sets of encoding presets for Adobe Media Encoder CS6. These include new presets for some mobile devices, including the Amazon Kindle Fire, Barnes & Noble Nook, iPad, and Android tablets, as well as new presets for XDCAM EX and AVC-Intra in MXF wrappers.Also, for Mac OS only, we have released ProRes 422 encoding presets.IMPORTANT: We do not distribute the ProRes encoders or decoders (codecs). You must get those from Apple. The ProRes encoders are included with various Apple video software, such as Final Cut Pro and Motion.To install the encoding presets in Adobe Media Encoder CS6, do the following:. Download the encoding preset packages:. Windows:. Mac OS only:.

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Mac OS:. Extract (unzip) the package. Start Adobe Media Encoder CS6. In Adobe Media Encoder CS6, choose Preset Import and navigate to the encoding preset(s) to import. You can choose multiple encoding presets at a time; it is most convenient to select all of the presets in a folder at once.demonstrates the use of the Preset Browser to apply and manage encoding presets.If you have any trouble, bring questions and issues to the, and we can help you there.